Audix f6

1.030,00 kr.


Kick drum microphone with punchy bass, attack and definition. Dynamic Hypercardioid 40 Hz – 16 kHz


The Fusion Series microphones represent affordable excellence.

The f6 dynamic instrument microphone is designed for instruments requiring bass reproduction in live and studio applications. The f6’s hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sounds on stage.

The f6 instrument microphone has low impedance and balanced output providing interference-free performance.

  • Applications

– Live Stage , recording
– Kick Drum
– Kettle drum, floor tom
– Bass Cabinets, Leslie bottom

  • What’s In The Box
  • 1 x f6 Instrument Microphone
  • 1 x DCLIP Microphone Clip
  • 1 x P1 Carrying Pouch




  • Transducer Type Dynamic
    Frequency Response 40 Hz – 16 kHz
    Polar Pattern Hypercardioid
    Output Impedance 580 ohms
    Sensitivity 1.2 mV / Pa @ 1k
    Capsule Technology LM Type A
    Off-Axis Rejection >23 dB
    Maximum SPL ≥140 dB
    Power Requirements None
    Connector 3-pin XLRm
    Polarity Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector
    Materials / Finish Zinc Alloy / Black Finish
    Weight 311 g / 11 oz
    Length 121 mm / 4.76 in




  • Quotes:

“We started our testing of the new Fusion series with the f6 kick mic. As it shares the same clip design as its older sibling, the D6, it was a simple matter to swap in the f6, since I already had a D6 positioned in my bass drum. Before we did that, we recorded a few bars of kick with the D6 as a reference, and then replaced it with the f6 and did some more tracking. Upon playback, I first heard the familiar full tone of the D6, and in the few seconds of silence between that and the f6, I thought, Okay, here comes the moment of truth. The f6 ended up producing a very cool kick sound. It was still in the ³pre-equalized, concert-ready² neighborhood of the D6, but it had its own thing going on. The f6 had a bit more midrange punch, and the fundamental resonance was at a slightly higher frequency. It still had the beef on the bottom and plenty of beater attack on top, but it also had a little in-your-face attitude (in a good way). It was universal enough to work in just about any genre, but I think this mic would excel in more aggressive idioms > hard rock, metal, punk, indie, etc.”

-Mark Parsons, Modern Drummer


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