Transparency. Clarity. Accuracy.
Kali Audio’s Lone Pine Series studio monitors are designed to allow you to hear every detail that’s happening in your mix.
This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you’ll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing.
With the LP-6 and LP-8, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using.
Class D Power
Lower Frequency Response
< 2.5% System THD
94 dB @ 1M
3-D Imaging Waveguide
Hear three dimensional sound from a stereo pair of speakers.
Dual-Layer Voice Coil
Large diameter voice coil allows for low distortion and high dynamic range.
Low Noise Port Tube
Precisely engineered using airflow simulations for powerful bass without port noise.
*Measured at 8 meters and .4 Vrms and normalized to .4 Vrms/1 meter. Measured in a hemi-anechoic environment by Pro Sound Testing
The LP-6 has the lowest distortion in its class; a full 6 dB lower than its nearest competitor. This is achieved via design considerations that optimize woofer performance. Distortion on the LP-8 is even lower. Like our frequency response data, this data was collected by Pro Sound Testing in Greenville, IN.
Kali Audio defines a listening distance as the maximum distance at which the speakers can play continuously at 85 dB while maintaining 20 dB dynamic headroom.
This means that anywhere within that listening distance, you can listen for long periods of time at reference volume, and momentary peaks such as bass drops or explosion effects will come through clearly and with minimal distortion. The LP-6 has enough output for most 1-2 person setups, and the LP-8 can handle larger setups easily.
Bass on the LP-Series monitors is delivered by larger magnets and larger voice coils than any comparable speakers on the market. This gives you more accurate bass response that extends lower, so you can dial in exactly the low end sound you need. Bass response is not boosted or overhyped, but you can be sure that you’re hearing the bass that you have on the track.
The integrated Class D Power amp delivers clean, reliable power that’s optimized to this speaker.
Both models use 40W for the 1” soft dome tweeter. The LP-6 uses 40W for the 6.5-Inch woofer, and the LP-8 uses 60W for the 8-Inch woofer.
EASE OF USE
Boundary EQ Control
A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound.
The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.
3-D Imaging Waveguide
The waveguide on the Lone Pine Series studio monitors ensures that the directivity of the loudspeaker is smooth throughout its frequency response. What’s more: it’s calibrated so that the sound power of the loudspeaker helps you to perceive sound accurately.
In practical terms, what this means is that you’re hearing spatial details in the recording that allow your brain to place elements of the recording in the space around you. This gives the speakers a more natural, lifelike feel that exposes more of the detail of the material that you’re working on. This level of detail makes it easier to make critical decisions, as well as making these monitors pleasurable to mix on and listen to in general.
Low Noise Port Tube
We wanted to put a port on the front of the LP-Series studio monitors so that they could be used in small spaces where they’d be placed against walls. At the same time, we didn’t want noise from the front port to distract from the accuracy of the speaker, so we developed a special front port that doesn’t make noise.
On most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as “chuffing,” or an audible air sound coming from the monitor. This sound will add to the noise floor and obscure the details of the low end.
The port tube on LP-6 was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low end response of the speaker, while keeping the bass clean, tight, and devoid of extra noise.
|LF Power:||40 W||60 W|
|HF Power:||40 W||40 W|
|Total Power:||80 W||100 W|
|LF Driver:||6.5″ Woofer||8″ Woofer|
|HF Driver:||1″ Soft Dome Tweeter||1″ Soft Dome Tweeter|
|Freq. Response (-10 dB):||39 Hz – 25 kHz||37 Hz – 25 kHz|
|Frequency Range (±3 dB):||47 Hz – 21 kHz||45 Hz – 21 kHz|
|Crossover:||1.5 kHz||1.8 kHz|
|Recommended Listening Distance:||0.8 – 2.2 Meters||1 – 2.8 Meters|
|Max SPL:||112 dB||114 dB|
Joe N Tell
– Joe Mariano
Produce Like A Pro
– Warren Huart
– Fairest Mattison
Riffs, Beards & Gear
– Ryan ‘Fluff’ Bruce