Tilbud

AEA R84

(2 kundeanmeldelser)

Original price was: 11.069,00 kr..Current price is: 10.329,00 kr..

R84, BIG RIBBON MIC. Er nu det bedste bud på en ribbon mic, optimeret til  -solo eller spot optagelser af: blæsere, strygere, percussion, elektrisk bas/guitar, og selvfølgelig vokal(er)

Normal er proximityeffekten (som ved close optagelser, ofte booster fra 100 Hz og ned) meget voldsom  på ribbons, men på R84 er den usædvanligt kontrolleret.
Båndet er særligt stort (det påstås dobbelt så stort som andre almindelige ribbons), og giver derfor større headroom (over 165db SPL) og hurtig respons.
Lyden af R84, er helt særlig, og man bliver lynhurtigt afhængig af den særlige “big ribbon sound”
En klassiker, i et helt usædvanligt prisleje !

Beskrivelse

The AEA R84 is an affordable Large Ribbon Geometry (LRG) microphone suitable for use by the most demanding audio professional or hobbyist.

If you are new to ribbons, you are in for a treat! Experienced users have discovered the R84 is an outstanding general-purpose microphone, ideally suited for solo and accent work. It is hard to find an application where this mic does not shine. It is a fine example of the natural sound and figure-8 directional sensitivity a quality ribbon mic delivers.

  1. Pure natural sound, just as you hear it when you´re placing your mic in the studio.
  2. Quick smooth transients that capture the feeling of being there without sounding like a recording.
  3. Extended bass and treble that captures the details without shoving anything in your face.
  4. A figure-eight pattern that focuses your recording on the sound you want.

We believe you will enjoy the confidence this mic inspires. It´s a forgiving tool that makes your recording work easier, as it literally sounds good on everything. Try it first and you´ll usually like it and find it sits well in the mix. When time is scarce and quality necessary, put the R84 to the test. Our users´ experience is that you´ll use it more and more (in pairs too!). Then it will start to really grow on you.[hr]

At AEA R84 er anmeldernes darling er ikke længere nogen hemmelighed.

“My favorite mic of the moment is the AEA R84…An emulation of an RCA ribbon mic is not going to sound like an RCA ribbon mic. Only Wes Dooley can come close today…Lately I´ve replaced the Neumann with the R84.” – from EQ Magazine, August 2007
“The R84 is just surprising. I was expecting smooth; I wasn´t expecting such incredible punch!” 
– Pete Townshend, The Who, London

 

“I have used one of these mics on almost all of the tracks we´ve taken, and always on jazz acoustic guitar. Wow. Double wow. This thing has got high end like I don´t remember … Awesome! And I don´t use that word often! Fantastic!” 
– George Massenburg, GML

 

“Just tried your latest, [the] R84… had it for a few days and one of our top engineers, Peter Cobbin, liked it so much he wants a pair. Congratulations again! … a super price … a real winner.” 
– Lester Smith, Abbey Road

 

“I used the AEA R84 on recent sessions for vocal, electric and acoustic guitar. It just kept on sounding better and better. It´s very bright and open with an extended low end – almost condenser-like but with smoother highs.” 
– Joe Chiccarelli, multi-platinum producer/engineer

 

“Wes [Dooley] and company have done a wonderful thing with this mic … You have given engineers and recordists a world-class option to return real instrumental and vocal character back into recording. I would recommend this microphone without reservation to anyone who is seeking a more natural, lifelike sound in their recordings.”
– Kyle Harris, PlayR Recording in Phoenix

 

Se alle anmeldelserne her: REVIEWS (external link)

2 anmeldelser af AEA R84

  1. Lars Daugaard

    Hvis man synes den dynamiske mikrofon er lidt for kedelig og kondensator mikrofonen lidt for hysterisk i toppen, så er løsningen AEA’s R84. Jeg har selv et parret sæt R84’ere og bruger dem altid til trommeambience eller overheads, (hvis det skal lyde lidt mere støvet..)
    De lyder også sindssygt godt på guitar og percussion..
    Sound on sound magasinet havde en preamp shootout i bladet for ca. 1 år siden.. -Efter min bedste overbevisning er det ikke preamp’en som gør den store forskel, men derimod mikrofonen… R84’eren gør en kæmpe forskel… 🙂

  2. Lars Vissing

    Har haft denne mic i ca 3 år. Det var den bedste opgradering af mit studie nogensinde. Har lavet masser af indspilninger med bla hornsektion som lyder fulstændig naturligt. Ikke brug for EQ da optagelserne allerede er på plads i mixet, med denne mikrofon.

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